you may not yet know it, but i also write poetry

EDITOR’S NOTE: It may come as a surprise, but I also write poetry. Unfortunately, few have been published. However, one of my poems, “Toothache,” was published. Self-published, that is. In the event that you missed reading it, here’s a fresh copy.

Old Jake got a toothache

While tendin’ the herd.

He let us all know it

With a heap of cuss words.

Along about nightfall

As we stopped and made camp,

We decided to help him

By extracting the scamp.

We uncurled our work rope,

And tied him up tight.

Old Jake mighta hurt some

Had we allowed him to fight.

We pried open his jaw,

And what did we see?

A festered gum sportin’

Some ‘bacca-stained teeth.

The cook checked the wagon

For a pair of fence-mendin’ pliers,

Found only a shovel,

A rope and barbed wire.

We wrapped the wire

Around Ol’ Jake’s tooth

Commenced to pullin’

Until it came loose.

We hid Old Jake’s gun,

Untied him and fled

A wonderin’ whether

We’d live or end up dead.

Old Jake rode next day

Dejected and mum.

He didn’t once thank us

For the chore we had done.

The roundup ended,

The crew rode to town.

We toasted Old Jake

With drinks round by round.

At midnight he muttered:

“To tell you the truth,

I ‘preciate your kindness

But you pulled the wrong tooth.”

I LEARNED I’M NOT A ‘THEY’ GROWING UP ON A FARM

         Journalists must keep pace with language changes that match current expectations of the social order in which they live and work.

         Several decades ago mailmen became mail carriers, firemen became fire fighters and policemen became police officers. We debated about how to refer to non-white people, people of various religious beliefs and more recently about a person’s sexual orientation.

         Some non-binary people now identify as a blend of male and female; others identify as a gender different from male or female; some do not identify with any gender. 

         That creates a bit of a problem because “they” is a plural pronoun, and it may be difficult to think of a person possessing something other than a single personality.

         In any event, “they” is the accepted pronoun to use when referring to a non-binary person whose gender identity and gender expression fall outside of the traditional binary gender categories of “man” or “woman.” 

         Recently a federal judge in Eugene, where I reside, awarded $317,353 in damages on grounds that a nearby school district had discriminated against a third grade student because the district had failed to respond adequately to harassment and bullying.

         The student, who was born in Paris, France, and is now 15, apparently began to identify as being non-binary while an 8-year-old.

         I must confess that I wasn’t well acquainted with the changing binary world in which I live, but this incident prompted me to wonder  how a girl or boy or would question his or her sexual identity.

         So, I began to review my life with that question in mind:

         My father loved my mother and his two sons. I recall that as a farmer he often quit work early in the day to “play with” my brother and me when we were kids. 

         We were always first in his life, including “awards day” during my senior year in college. I was one of a few students who weren’t called onto the stage to be honored, but I was the only student seated with a parent, my father, who had skipped work to be present.

         My father was a violinist who played every night to please my mother until the day he died.

         My mother, who often accompanied him on the piano, questioned everything and expected my brother and me to do the same. The three of us often would be seated after a meal critiquing the construction of a sentence and the world in which we lived. My father preferred to skip such sessions and to play the violin.

         After my brother and I graduated from high school, my mother became a teacher. Her former students often would show up years later to visit with “Mom, Rea.”

         As a farm boy, I observed the interaction of horses, cows, sheep, hogs, chickens, turkeys, cats and dogs, who apparently never questioned whether they were male or female. 

         On the school grounds, boys and girls used different bathrooms and often were subject to teasing about their interest in someone of a different sex. Girls often could outshoot us in marble games but usually declined to join the boys during informal football games.

         I was teased unmercifully during the third and fourth grades because I wore a cap equipped with ears that tied beneath my chin to keep me warm. So, during winter months I was known as “flop.”  

         Later, my binary thoughts had no problem selecting the person who became my wife, and eventually the mother of our four children.

         So, if this short thesis on how I figured out whether I am a she, a he or a they is of any help, blame it on a guy who was reared on a farm by loving parents, on a guy who learned early in life that the word, “flop,” is singular.

     

WOULD THIS OL’ WATCHDOG CHOOSE THE SAME CAREER?

         Would I choose and prepare for a newspaper career today?

         That is the question that often crosses my mind after spending more than seven decades working in and promoting an industry whose central purpose is to help preserve a representative form of government.

         I never questioned my career choice beginning when I roughed out copies of a hand-drawn newspaper and learned the basics of the printing trade before completing high school.

         Or while serving as the editor of a student newspaper as a senior in college and during graduate study as the University of Missouri’s journalism school.

         Print journalism served me well during the intervening years as a newspaper journalist and as a university journalism professor.

         During that “golden era,” I stepped into the newsroom and lived an “adventure” that only those of us who have taken that journey may appreciate.

         But things were changin’ even before I retired. Then the Covid pandemic swept across the world. Advertising revenue declined, newspapers began to fold and newsroom employment has fallen more than 50 percent during the past couple of decades.

         This week, for example, The Washington Post announced that it hopes to reduce its staff of 2,500 by 240 through a “buyout” process.

         I recently worked as a reporter for an on-line newspaper, which sped up the news cycle. Unfortunately, financing such a venture remains questionable.

         So, if I were once again a young person surveying the job market and wondering whether there’s a future in newspaper journalism, the choices become rather restricted if we’re talking print journalism.

         “Get real, old man,” you may shout in response. Dozens of career opportunities are available in the field of communications.

         “Yes,” I would reply, “but which ones serve as a ‘watchdog,’ those that inform the public about what’s going on in City Hall? in the state legislature? in the halls of Congress?”

         Granted, the newsroom is changing, but someone needs to keep watch if we wish to preserve a government by and for the people.

         Plus, if I were to choose such a profession, I might have to learn how to use a hand-held phone to make and to receive calls, to take photographs and to record interviews and videos.

         Sounds about as difficult as the era during which I quit using a stick and Linotype to set type and using a computer rather than a typewriter to write copy.

         Aw, heck, I may be a bit over the hill, but I learned long ago that the greatest risk is not taking one.

         So, count me in.

IMAGES SOMETIMES CREATE WORLD WE CAN’T IGNORE

         Does an image stick out in your mind, one that you can’t shake, one that tags along unnoticed for days, weeks, even years, then pops up unexpectedly, reminding you that this image is one that is etched in your memory, won’t stay hidden, haunts your memory, causes you to wonder where it has been hiding?

         Maybe I’m more sensitive of images than many people because they have played a major role in my life as a communicator and as a teacher.

         Started back in 1951 while I was a graduate student in the journalism school at the University of Missouri. I needed a class to fill my fall semester schedule. Noticed one taught by Cliff Edom, who later became known as the “father of photojournalism.”

         Each student was required to show up with a box camera, to learn how to shoot and print film and to create a black-and-white photo story.

         I enjoyed the class so much that I enrolled in a second class and became acquainted with the 4×5 Speed Graphic, which several years later spelled the difference in my being hired as the weekly newspaper editor in Hood River, Oregon.

         I have recorded many images with a camera and have enjoyed viewing artwork created by family members and friends.

         However, it wasn’t until I was the features editor of The Register-Guard in Eugene, Ore., that an image became ingrained in my mind.

         The haunting photograph taken by Rosanne Olson appeared on Thursday, Oct. 25, 1984. I liked the image so much that I considered framing and displaying it in my office.

         Through the years, the image continued to pop into my mind and led me to wonder when it was published. Rosanne, who had continued her professional career elsewhere, said she no longer had the photo. So, the mystery remained unsolved.

         Then, I recently dug through a “box of stuff” and found the image, the one that had hidden behind a mask all these years. The bonus was reading the feature story written by a former colleague and friend, Carolyn Kortge, who also has created word pictures in the minds of so many readers during her career.

         My experience led to my wondering what images pop into your mind? Maybe they were captured by outstanding photographers I have known and worked with, including Brian Lanker, David Swan, Phil Wolcott, Dan Morrison, Charlie Nye, Carl Davaz and Chris Pietsch.

         I know that Cliff Edom would have liked the mask photograph taken by Rosanne, who continues to capture images of the world in which she lives.

         As for me, the mask scene will forever haunt my memory, causing me to wonder what it reveals and what remains hidden.